Play Along Piano

Tags

Baroque

Raphaël Batôt

3:27	Est. Play Time
138	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpe	19	9	4	3	100%
	5	0	0	1	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpe	19	9	4	3	100%
	5	0	0	1	100%
Soprano	12	0	2	3	80%
Ténor	9	0	2	3	27%
	7	0	0	3	33%
Basse	9	0	0	3	31%

Rule Britannia by Thomas Augustine Arne

ChurchOrganist

1:12	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	0	4	4	100%
Bassoon	18	0	5	4	92%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	4	4	100%
Bassoon	18	5	4	92%
Violins 1	16	5	7	79%
Violins 2	16	6	5	75%
Timpani	2	0	6	71%
Trumpets 1 amp; 2	11	1	7	69%
Oboe 1 Oboe 2	11	4	7	48%
	11	4	6	58%
Violas	11	3	5	58%
Alfred	10	3	7	52%
Alto	6	1	7	20%
Bass	6	2	7	20%
Soprano	7	2	6	20%
Tenor	5	1	7	20%

Movement I — Concerto for Two Chalumeaux in D Minor (Telemann)

Benjamin Davidson

3:44	Est. Play Time
95	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Chalumeaux 1	17	0	5	11	99%
Chalumeaux 2	14	0	3	6	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Chalumeaux 1	17	0	5	11	99%
Chalumeaux 2	14	0	3	6	99%
Viola	10	0	3	4	36%
Violin	11	0	2	4	36%
Violoncello	7	0	1	4	34%
Harpsichord	16	4	1	5	29%
	4	0	3	2	2%

Baroque_Spanish_Flea

joseph28801

1:25	Est. Play Time
130	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	23	0	7	5	98%
Contrabass	16	0	2	3	45%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	23	7	5	98%
Contrabass	16	2	3	45%
Violin I	10	1	3	36%
Violin II	13	3	3	19%
Violoncello	10	3	1	17%

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
	13	0	2	8	67%
Alto	11	0	1	6	58%
Organ as by Handel	14	0	1	6	58%
Soprano II	12	0	3	6	58%
French Horn I	9	0	1	6	50%
French Horn II	9	0	1	6	50%
Oboe	13	16	2	6	35%
Bass	9	0	1	6	33%
Cello Continuo	9	0	1	6	33%
Cortrebass Continuo	9	0	1	6	33%
Organ Continuo	16	18	3	5	33%
Organo Continuo	10	1	1	6	33%
Tenor	8	0	2	6	33%
Viola	9	0	1	4	33%
Violin I	9	0	1	5	33%
Violin II	10	0	2	8	33%

Zelenka - Requiem in D - Recordare - Ingemisco (Dies Irae) (ZWV 46)

johnsmith1

3:32	Est. Play Time
109	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	0	7	5	97%
Chalumeau	16	0	6	8	90%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	22	7	5	97%
Chalumeau	16	6	8	90%
Violin	21	6	8	75%
Contralto	12	4	5	55%
Tenor	9	2	5	26%

'Praise my Soul, the King of Heaven' - Baroque Orchestration

tennickmusic

3:10	Est. Play Time
158	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in D	10	0	1	2	87%
Bassoon	13	0	2	3	80%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in D	10	0	1	2	87%
Bassoon	13	0	2	3	80%
Oboe I	10	0	1	2	67%
Oboe II	7	0	0	3	66%
Continuo.	22	0	4	3	59%
Flute I	10	0	1	2	51%
Flute II	7	0	0	3	50%
Soprano amp;amp; Alto	11	21	1	2	49%
Tenor amp;amp; Bass	14	28	2	3	49%
Violas	6	0	0	2	41%
Violino I	10	0	1	2	41%
Violino II	8	0	0	3	40%
Violoncellos	13	0	2	3	39%

Johannespassion - BWV 245 60 Mein teurer Heiland, laß dich fragen

SkGnam

3:57	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	26	0	9	3	100%
Organo	20	0	6	5	84%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	26	9	3	100%
Organo	20	6	5	84%
	19	7	6	98%
	27	5	5	98%
Basso Solo	18	6	6	87%
Alti	10	3	4	44%
Bassi	13	2	3	44%
Soprani	8	1	4	44%
Tenori	9	1	4	44%

HWV8A2N13 - "Un sospiretto d'un labbro pallido" (Dorinda)

edward.maurath

4:17	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	29	9	7	97%
	25	19	5	7	97%
Violoncello	24	0	5	6	97%
Contrabass	24	0	5	5	88%
Dorinda	17	0	6	6	75%
Violins 1	22	0	7	7	56%
Contrabasses	17	0	4	3	47%
Violoncellos	17	0	4	3	47%
Bassoon	10	0	2	3	13%
Oboe	14	0	2	5	13%

Zelenka - Regem Cui Omnia Vivunt, Officium Defunctorum (ZWV 47)

johnsmith1

10:59	Est. Play Time
241	Measures
	2,635Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	26	0	8	9	82%
Basso Continuo	27	0	8	8	80%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	26	0	8	9	82%
Basso Continuo	27	0	8	8	80%
Violins I	29	1	12	9	79%
Violins II	28	0	11	8	78%
Alto	14	0	5	7	67%
Flute	26	9	10	6	65%
Oboe	22	10	8	6	54%
Bass	13	0	3	6	32%
Soprano	11	0	3	4	27%
Tenor	9	0	2	4	26%

14 Canons (Arranged for String Quartet and Orchestra)

Arianna2001

6:01	Est. Play Time
139	Measures
	1,824Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	13	3	5	90%
	23	7	2	4	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	17	13	3	5	90%
	23	7	2	4	96%
	17	8	0	2	95%
Violoncello (Solo Cello - Quartet)	17	0	2	4	88%
Viola (Solo Viola - Quartet)	18	0	3	5	78%
Violin I (Solo 1st Violin - Quartet)	24	0	7	7	71%
Violin II (Solo 2nd Violin - Quartet)	23	0	6	6	59%
Contrabass	17	0	2	4	45%

Die Sieben Worte Jesu Christi am Kreuz

Presently42

16:34	Est. Play Time
376	Measures
	2,041Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuus	22	1	7	7	100%
Tenor II	14	0	5	9	47%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuus	22	1	7	7	100%
Tenor II	14	0	5	9	47%
Tenor I	14	0	4	9	42%
Vox suprema instrumentalis	14	0	5	6	36%
Altus instrumentalis	15	0	5	6	35%
Altus	11	0	3	9	34%
Cantus	15	0	6	9	31%
Bassus	16	0	6	9	30%
Tenor instrumentalis II	10	0	2	6	16%
	9	0	2	5	16%
Bassus instrumentalis	15	0	5	6	16%

Double Bass Concerto by Karl Kohaut (1726 - 1784)

Plagal

22:23	Est. Play Time
268	Measures
	1,883Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Contrabasso Principale]	31	0	16	10	100%
[Basso]	25	0	12	7	94%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Contrabasso Principale]	31	0	16	10	100%
[Basso]	25	0	12	7	94%
[Violino I.]	30	2	15	8	85%
[Violino II.]	31	2	15	8	84%
[Corni in D]	11	0	2	5	38%

Toccata in C Minor

NLOCKEPIANO

1:59	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	37	33	9	9	100%
	28	25	8	6	100%
	10	0	2	5	38%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	37	33	9	9	100%
	28	25	8	6	100%
	10	0	2	5	38%

HWV5A3N21 - "Signore, poich'è lo sdegno"

edward.maurath

1:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello (Continuo)	13	0	3	3	100%
Organo (Continuo)	16	19	4	2	52%
	16	11	6	4	52%
Florinda	11	0	0	4	52%
Cembalo (Continuo)	9	10	0	3	48%
	12	10	1	4	50%
Evaneo	9	0	2	4	48%

HWV7A2N0b "Siam prossimi al porto" (1731)

edward.maurath

2:15	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
Violoncello	22	0	6	7	100%
Goffredo	14	0	4	7	57%
Violins	12	0	2	6	41%
Kontrebaß	15	0	1	5	40%
Violoncellos	15	0	1	5	40%